Mike Seaman and his team maintain the sculptures, buildings and landscape at Storm King Art Center.
The White House press secretary, Sarah Huckabee Sanders, left, and the “Saturday Night Live” cast member Aidy Bryant playing her. Some political insiders found the impersonation unnecessarily harsh and gendered compared with the portrayals of President Trump and Sean Spicer on “S.N.L.”
Ramona Kelley backstage at the Lensic Performing Arts Center in Santa Fe.
Amine Jerbi, left, and Macéo Mennesson-Llorente during a cello lesson last month at the music academy that Philippe Jaroussky opened outside Paris.
Vincent Valdez’s “The City I,” at the Blanton Museum of Art in Austin, Tex., depicts a modern-day Ku Klux Klan gathering.
The comedian Brett Davis prepares to marry Tidey, his Tide bottle girlfriend, during a recording of “The Podcast for Laundry” at Abrons Arts Center on Sunday.
Peter Martins during class in Paris in 2016.
Benedict Cumberbatch stars as the troubled but charming title character of “Patrick Melrose,” adapted from the Edward St. Aubyn novels.
“The Divine Spouse,” an example of Mexican church art by Miguel Cabrera, presents Jesus as a man-child reclining on a bed of flowers. Work from “New Spain” was recognized not as a European knockoff, but a product with its own style by the 18th century.
Jeffrey Tambor in “Transparent.”
Stanley Kubrick’s 1948 shot of a circus executive, foreground, and aerialists rehearsing in the middle distance. The photo is part of an exhibition, “Through a Different Lens: Stanley Kubrick Photographs,” opening May 3 at the Museum of the City of New York.
“I feel I can be a better advocate having my own voice,” said Susan Unterberg, who has revealed her identity after anonymously giving $5.5 million to other female artists over the last 22 years.
Alberto Giacometti, “Suspended Ball,” 1930–31. His Surrealist sculptures were witty, off-kilter and sometimes dripping with sex. A sphere dangles from a string in a cage, “teasing but never touching a curve. The objects are abstract prisoners trapped in an endlessly unconsummated dance,” our critic writes.
Shows like “The Crown,” with Claire Foy, helped Netflix garner 112 Emmy nominations, the most of any network.
Auctioneer Oliver Barker, taking bids at Sotheby’s for Kerry James Marshall’s painting “Past Times.” It was eventually sold for $21.1 million with fees.
Skyler Samuels in “Scream Queens.”
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