theater


Review: Jim Parsons and Zachary Quinto Enter Sniping in ‘The Boys in the Band’

Review: Jim Parsons and Zachary Quinto Enter Sniping in ‘The Boys in the Band’

From left, Jim Parsons and Matt Bomer in the 1968 play, about a group of gay friends, being presented on Broadway for the first time.

Review: An Elephant’s Ghost Stalks the World in ‘Mlima’s Tale’

Review: An Elephant’s Ghost Stalks the World in ‘Mlima’s Tale’

Sahr Ngaujah, center, in “Mlima’s Tale,” Lynn Nottage’s portrait of global plunder and commerce.

Rip Van Winkle, Newly Awake, Meets His Neighbors Onstage

Rip Van Winkle, Newly Awake, Meets His Neighbors Onstage

Liam Craig as the title character, rehearsing for the Hudson Valley Shakespeare Festival adaptation of “Rip Van Winkle.”

Robert O’Hara Thinks ‘Men Are Stupid.’ His New Play Shows Just How.

Robert O’Hara Thinks ‘Men Are Stupid.’ His New Play Shows Just How.

“In satire, you sort of imagine the unimaginable,” said Robert O’Hara, whose new play, “Mankind,” envisions a world without women.

How Orin Wolf Orchestrated a Tony Coup With ‘The Band’s Visit’

How Orin Wolf Orchestrated a Tony Coup With ‘The Band’s Visit’

The producer Orin Wolf embracing Sasson Gabay, who will succeed Tony Shalhoub in “The Band’s Visit,” during a party after the musical won 10 Tony awards.

When the Actors Are Students, and They’re Armed

When the Actors Are Students, and They’re Armed

Alexandria Celia, center, used a squirt gun painted black in “Miss Saigon” at Somerset Berkley Regional High in Massachusetts.

2018 Tony Nominations: ‘Mean Girls’ and ‘SpongeBob’ Lead the Way

2018 Tony Nominations: ‘Mean Girls’ and ‘SpongeBob’ Lead the Way

Gavin Lee, center, as Squidward Q. Tentacles in “SpongeBob SquarePants,” which garnered 12 Tony nods.

For Paula Vogel, a Once-Banned ‘Beautiful’ Love Story Inspires Her New Play

For Paula Vogel, a Once-Banned ‘Beautiful’ Love Story Inspires Her New Play

Rebecca Taichman, left, and Paula Vogel at the Vineyard Theater.

In Solo Shows, Lip-Syncing ‘Hamlet’ and Investigating Home Movies

In Solo Shows, Lip-Syncing ‘Hamlet’ and Investigating Home Movies

Dickie Beau in the eclectic “Re-Member Me,” which mixes drag, dance and Shakespeare.

Another Harry Potter Landmark: At $68 Million, the Most Expensive Broadway Nonmusical Play Ever

Another Harry Potter Landmark: At $68 Million, the Most Expensive Broadway Nonmusical Play Ever

The Lyric Theater underwent major renovations for “Harry Potter and the Cursed Child,” including exterior additions that are symbolic to the play: a wing on the facade and a rooftop nest with a child huddled inside.

How an Anxious-Adolescent Musical (No, Not That One) Found Its Fans

How an Anxious-Adolescent Musical (No, Not That One) Found Its Fans

Will Connolly (center) as a high school student who takes steps to turn cool in the Two River Theater production of “Be More Chill.”

A Boom in Filming Gives Atlanta Stage Actors Room to Maneuver

A Boom in Filming Gives Atlanta Stage Actors Room to Maneuver

Danielle Deadwyler is an actress juggling theater roles with recent television opportunities in “Greenleaf” and Tyler Perry’s “The Haves and the Have Nots.”

A Barrier Breaks: An Actress With Down Syndrome Plays the Lead

A Barrier Breaks: An Actress With Down Syndrome Plays the Lead

From left, the actor Edward Barbanell; the director Scott Ellis; the actress Jamie Brewer; and the playwright Lindsey Ferrentino, author of “Amy and the Orphans.”

Review: ‘This Flat Earth’ Traces Childhood Fears No Parent Can Allay

Review: ‘This Flat Earth’ Traces Childhood Fears No Parent Can Allay

Lucas Papaelias as Dan and Ella Kennedy Davis as his daughter Julie in “This Flat Earth,” directed by Rebecca Taichman, at Playwrights Horizons.

Review: Jeremy Irons and Lesley Manville Lead a Hard-Run ‘Long Day’s Journey’

Review: Jeremy Irons and Lesley Manville Lead a Hard-Run ‘Long Day’s Journey’

Lesley Manville and Jeremy Irons in “Long Day’s Journey Into Night” at the Brooklyn Academy of Music.

When Disenfranchised Lives and American Ideals Collide Onstage

When Disenfranchised Lives and American Ideals Collide Onstage

From left: Manny Ureña, Camilo Almonacid and Zuleyma Guevara in “De Novo,” a documentary theater piece based on an actual deportation case.


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