movies


Review: Take the Next Trolley to ‘Won’t You Be My Neighbor?’

Review: Take the Next Trolley to ‘Won’t You Be My Neighbor?’

Fred Rogers on the set of “Mister Rogers’ Neighborhood.” Morgan Neville explores Rogers’s influence in the documentary.

Whose Brooklyn Is It, Anyway?

Whose Brooklyn Is It, Anyway?

Spike Lee has scolded white gentrifiers of the Brooklyn of his film “Do the Right Thing,” pictured, and “Welcome Back, Kotter.”

Bill Cosby and Roman Polanski Expelled From the Film Academy

Bill Cosby and Roman Polanski Expelled From the Film Academy

Bill Cosby, left, and Roman Polanski, who both were expelled from the movie academy on Thursday.

Queen, Ally and the Alchemy of Musical Stardom on the Big Screen

Queen, Ally and the Alchemy of Musical Stardom on the Big Screen

In “Bohemian Rhapsody,” Rami Malek (with Gwilym Lee, left, and Joe Mazzello) misses Freddie Mercury’s eternal self-delight.

Review: In ‘The Greatest Showman,’ a P.T. Barnum Smaller Than Life

Review: In ‘The Greatest Showman,’ a P.T. Barnum Smaller Than Life

Hugh Jackman, center, as P.T. Barnum in “The Greatest Showman.”

Why the Golden Globes’ Surprise Wins Aren’t So Surprising

Why the Golden Globes’ Surprise Wins Aren’t So Surprising

Rami Malek omitted Bryan Singer from his thank-yous.

How Chadwick Boseman Embodies Black Male Dignity

How Chadwick Boseman Embodies Black Male Dignity

Why is Boseman the go-to actor to play icons like Black Panther or Jackie Robinson? The director Brian Helgeland says, “You just have that feeling that you’re around a strong person.”

The Cannes Film Festival Opens Amid Disruptions

The Cannes Film Festival Opens Amid Disruptions

Penélope Cruz and Javier Bardem in a scene from “Everybody Knows,” directed by Asghar Farhadi.

The Best and Worst of the Golden Globes

The Best and Worst of the Golden Globes

Andy Samberg and Sandra Oh led off the show.

Review: Christopher Plummer Dominates ‘All the Money in the World’

Review: Christopher Plummer Dominates ‘All the Money in the World’

Christopher Plummer as J. Paul Getty in Ridley Scott’s “All the Money in the World”

Made of Blue Felt and Working Blue, Too: Dirty Puppets on the Big Screen

Made of Blue Felt and Working Blue, Too: Dirty Puppets on the Big Screen

Joel McHale with a felt antagonist in “The Happytime Murders.”

Review: Roulette, a Hangman and Singing Fish, in an Animation Fest

Review: Roulette, a Hangman and Singing Fish, in an Animation Fest

An image from the restored short “Hangman” (1964), by Paul Julian and Les Goldman, one of the highlights of the Animation Show of Shows.

Kyrie Irving Doesn’t Know if the Earth Is Round or Flat. He Does Want to Discuss It.

Kyrie Irving Doesn’t Know if the Earth Is Round or Flat. He Does Want to Discuss It.

“I wanted to open up the conversation, like, ‘Hey man, do your own research for what you want to believe in,’” said Kyrie Irving, shown at a Celtics game earlier in the season.

Elizabeth Banks Was a Frustrated Actress. Now She’s a Determined Mogul.

Elizabeth Banks Was a Frustrated Actress. Now She’s a Determined Mogul.

Elizabeth Banks at Universal. She turned to directing and producing after assessing her acting prospects: “I felt underused. I just knew there was more for me to be doing.”

Review: In ‘The Third Murder,’ Guilty as Charged Isn’t the Whole Story

Review: In ‘The Third Murder,’ Guilty as Charged Isn’t the Whole Story

Attorney-client privilege: Masaharu Fukuyama, left, and Koji Yakusho in “The Third Murder,” the writer-director Kore-eda’s insistent, gripping new film.

This Year’s Oscars Belong to Strong Women in Fierce Roles

This Year’s Oscars Belong to Strong Women in Fierce Roles

Tough acts to follow: Clockwise from top left, Frances McDormand in “Three Billboards Outside Ebbing, Missouri”; Allison Janney in “I, Tonya”; Laurie Metcalf, left, and Saoirse Ronan in “Lady Bird”; and Mary J. Blige in “Mudbound.”


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