Lady Gaga and Kathy Bates in “American Horror Story: Hotel.”
Vincent Valdez’s “The City I,” at the Blanton Museum of Art in Austin, Tex., depicts a modern-day Ku Klux Klan gathering.
The actress Yara Shahidi of “black-ish” on ABC will star in “grown-ish,” a spinoff on Freeform.
Ringo Starr has been named a knight by Queen Elizabeth II in her 2018 New Year’s Honors list.
A cobweb Valentine from about 1845, part of the collection assembled by Nancy Rosin, pulls up into a cone shape.
Two years after Prince’s death, his estate has released his original 1984 recording of the song that became a 1990 hit for Sinead O’Connor, “Nothing Compares 2 U.”
The graphic designer Milton Glaser, left, in his Manhattan office with Matthew Weiner, the creator of “Mad Men,” for which Mr. Glaser has designed ads that will start appearing next week.
Cardi B shows off her flexibility and range on “Invasion of Privacy,” taking and doling out punches on one track while rapping about her fragile heart on the next.
“Antropofagia” (“Cannibalism”), 1929, a seminal work of Brazilian Modernism by Tarsila do Amaral that is part of a new show of her work at MoMA.
Salvador Dalí‘s “Gala Placidia. Galatea of the Spheres” from 1952, for which his wife, Gala Dalí, was the model and muse. A new exhibition in Barcelona examines Gala as someone willing to play those roles, but also as a person eager to forge her own path as an artist.
The interior of the Palladium nightclub in New York in 1985, designed by the Japanese architect Arata Isozaki with a mural by Keith Haring.
The A.B.A. Rare Book Fair’s 61st edition shifted to a new venue in Battersea, London, south of the River Thames.
A 1986 mural Keith Haring painted on a storage facility of the Stedelijk Museum Amsterdam. After the museum vacated the building, the work was covered in aluminum cladding.
A scene from “The Get Down,” beginning Aug. 12 on Netflix.
Fans of the rapper XXXTentacion, who was shot and killed last week, gathered for a memorial service in Sunrise, Fla.
William H. Johnson’s “John Brown Legend,” circa 1945, makes the abolitionist its central image and shows him coming down from a cross and being greeted by a mother and her child. This rarely exhibited work is part of “Outliers and American Vanguard Art,” at the National Gallery.
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